Dolce&Gabbana unveiled its Alta Moda collection in Taormina, Sicily, a place that remains the enduring source of the house’s imagination. Staged within the lush surroundings of the Radicepura Botanical Park, the presentation was immersed in Mediterranean light, fragrance, and vegetation. This season, Alta Moda turned its gaze toward nature itself.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
While the Alta Gioielleria collection presented the previous day explored Sicily’s spiritual heritage through religious iconography and goldsmithing traditions, Alta Moda focused on gardens alive with flowers, fruit, and botanical abundance. Lemons, oranges, terracotta, porcelain, and embroidery became the vocabulary through which nature was translated into couture craftsmanship.
Radicepura Botanical Park is a vast landscape dedicated to Mediterranean flora. Terracotta planters, flowering trees, citrus groves, and foliage swaying in the breeze provided more than decorative inspiration—they became structural elements within the collection itself.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
Oranges and lemons emerged as delicate relief motifs across corsets and bodices. Leaves and vines wrapped around the body, extending into fluid silhouettes reminiscent of ancient vases.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
Rather than imitating nature, Dolce&Gabbana sought to transfer its vitality into garments. The result was a collection that felt less like a depiction of a garden than an invitation to wear one.
Throughout the collection, floral forms appeared in richly dimensional ways. Among the most striking were dresses created through intricate micro-draped inlay techniques, where delicate folds blossomed across the décolletage like freshly gathered bouquets.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
Elsewhere, layers of silk chiffon were individually shaped and assembled by hand, creating airy structures that recalled petals unfolding in bloom. Subtle shifts of color, vein-like shadows, and the sense of flowers moving from bud to full blossom gave the garments a quality that was at once realistic and dreamlike.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
What emerged was not simply an image of nature, but an attempt to capture its rhythms, transformations, and passage of time—an approach that lends Alta Moda its distinctive narrative richness.
Another key reference this season was Capodimonte porcelain, the celebrated Neapolitan tradition established in the eighteenth century and renowned for its refined craftsmanship, sculptural floral ornamentation, and elegant curves.
Photo by Marco Pionato / Alex Dob © ©DOLCE&GABBANA
Dolce&Gabbana reinterpreted this artistic heritage through duchesse satin and gazar. Hand-painted scrollwork, three-dimensional garlands, and lustrous surfaces evoked the refinement of porcelain itself. In some looks, the illusion became almost literal, with garments appearing to carry porcelain ornamentation directly upon the body.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANA
These creations went beyond decoration. They reflected a profound respect for Italy’s artisanal legacy and the generations of craftsmanship that continue to shape it.
At the heart of Alta Moda lies the idea of Fatto a Mano—“made by hand.” More than a technical process, it represents a philosophy central to Dolce&Gabbana’s vision of luxury.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
Intricate embroidery. Complex draping. Sculptural techniques that transform flowers and fruit into three-dimensional forms. Tailoring that reveals the fullest potential of each material.
All are the result of countless hours of skilled manual work.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANA
The collection is not ultimately about nature itself. It is about the human ability to observe nature, reinterpret it through craft, and elevate it into couture.
For Dolce&Gabbana, Sicily is far more than a source of inspiration. It is the landscape from which the house’s visual identity and emotional universe continue to emerge.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANA
Religious traditions. Folk culture. Mediterranean nature. Artisanal knowledge. Memories of family and community.
Across Alta Gioielleria, Alta Moda, and Alta Sartoria, the Taormina presentations explored these dimensions from different perspectives. Alta Moda became the chapter devoted to nature and craftsmanship.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANA
The scent of citrus. Flowers in full bloom. Terracotta and porcelain shaped by hand.
What Dolce&Gabbana presented was not a recreation of Sicily’s scenery. Rather, it was a crystallization of the island’s memories, rhythms, and traditions of craftsmanship into couture form.
Alta Moda was not a collection about flowers.
It was couture designed to wear Sicily itself.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANA
Contact:
Dolce&Gabbana Japan
TEL: +81-3-6833-6099
www.dolcegabbana.com
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAWhile the Alta Gioielleria collection presented the previous day explored Sicily’s spiritual heritage through religious iconography and goldsmithing traditions, Alta Moda focused on gardens alive with flowers, fruit, and botanical abundance. Lemons, oranges, terracotta, porcelain, and embroidery became the vocabulary through which nature was translated into couture craftsmanship.
Couture Begins in a Sicilian Garden
Radicepura Botanical Park is a vast landscape dedicated to Mediterranean flora. Terracotta planters, flowering trees, citrus groves, and foliage swaying in the breeze provided more than decorative inspiration—they became structural elements within the collection itself.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAOranges and lemons emerged as delicate relief motifs across corsets and bodices. Leaves and vines wrapped around the body, extending into fluid silhouettes reminiscent of ancient vases.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANARather than imitating nature, Dolce&Gabbana sought to transfer its vitality into garments. The result was a collection that felt less like a depiction of a garden than an invitation to wear one.
Translating Flowers and Fruit into Craft
Throughout the collection, floral forms appeared in richly dimensional ways. Among the most striking were dresses created through intricate micro-draped inlay techniques, where delicate folds blossomed across the décolletage like freshly gathered bouquets.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAElsewhere, layers of silk chiffon were individually shaped and assembled by hand, creating airy structures that recalled petals unfolding in bloom. Subtle shifts of color, vein-like shadows, and the sense of flowers moving from bud to full blossom gave the garments a quality that was at once realistic and dreamlike.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAWhat emerged was not simply an image of nature, but an attempt to capture its rhythms, transformations, and passage of time—an approach that lends Alta Moda its distinctive narrative richness.
The Decorative Language of Capodimonte Porcelain
Another key reference this season was Capodimonte porcelain, the celebrated Neapolitan tradition established in the eighteenth century and renowned for its refined craftsmanship, sculptural floral ornamentation, and elegant curves.
Photo by Marco Pionato / Alex Dob © ©DOLCE&GABBANADolce&Gabbana reinterpreted this artistic heritage through duchesse satin and gazar. Hand-painted scrollwork, three-dimensional garlands, and lustrous surfaces evoked the refinement of porcelain itself. In some looks, the illusion became almost literal, with garments appearing to carry porcelain ornamentation directly upon the body.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANAThese creations went beyond decoration. They reflected a profound respect for Italy’s artisanal legacy and the generations of craftsmanship that continue to shape it.
The Philosophy of Fatto a Mano
At the heart of Alta Moda lies the idea of Fatto a Mano—“made by hand.” More than a technical process, it represents a philosophy central to Dolce&Gabbana’s vision of luxury.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAIntricate embroidery. Complex draping. Sculptural techniques that transform flowers and fruit into three-dimensional forms. Tailoring that reveals the fullest potential of each material.
All are the result of countless hours of skilled manual work.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANAThe collection is not ultimately about nature itself. It is about the human ability to observe nature, reinterpret it through craft, and elevate it into couture.
Sicily as Dolce&Gabbana’s Creative Origin
For Dolce&Gabbana, Sicily is far more than a source of inspiration. It is the landscape from which the house’s visual identity and emotional universe continue to emerge.
Photo by Marco Pionato / Alex Dob © DOLCE & GABBANAReligious traditions. Folk culture. Mediterranean nature. Artisanal knowledge. Memories of family and community.
Across Alta Gioielleria, Alta Moda, and Alta Sartoria, the Taormina presentations explored these dimensions from different perspectives. Alta Moda became the chapter devoted to nature and craftsmanship.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANAThe scent of citrus. Flowers in full bloom. Terracotta and porcelain shaped by hand.
What Dolce&Gabbana presented was not a recreation of Sicily’s scenery. Rather, it was a crystallization of the island’s memories, rhythms, and traditions of craftsmanship into couture form.
Alta Moda was not a collection about flowers.
It was couture designed to wear Sicily itself.
Photo by Marco Pionato / Alex Dob © DOLCE&GABBANAContact:
Dolce&Gabbana Japan
TEL: +81-3-6833-6099
www.dolcegabbana.com







































































































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